Country songs dating my daughter
Metrical notation: - |- |- |- |- / - |- |- |- |- / - |- |- |- |- / - |- |- |- |- /Metrical foot type: iambic (- )Metrical foot number: pentameter (5 feet)Rhyme scheme: abab Rhyme (stanza position): cross (abab)Syllable pattern: .10Stanza: quatrain (4 lines)Genre(s): heroic quatrain, elegiac stanza, graveyard school, elegy Theme(s): hopelessness, vanity of life, night, social order, rural life, death ] [Era gia l' ora, che volge 'l disio A' naviganti, e 'ntenerisce 'l cuore Lo di ch' han detto a' dolci amici addio: E che lo nuovo peregrin d' amore Punge, se ode] — squilla di lontano Che paia 'l giorno pianger, che si muore.[For I see in my thoughts, my sweet fire, One cold tongue, and two beautiful closed eyes Will remain full of sparks after our death.] was begun at Stoke-Poges in the autumn of 1742, probably on the occasion of the funeral of Jonathan Rogers, on the 31st of October. (Price sixpence).'' There was a preface by Horace Walpole.He therefore had it published (anonymously) on February 16, 1751, by the great London publisher, Dodsley. Edition followed edition in rapid succession; it was translated into living and dead languages; and - a sure evidence of popularity - it was repeatedly parodied.The facts as to its publication, etc., may be found in Gosse's edition of "The ''Elegy Written in a Country Church-Yard'' was begun at Stoke-Poges in 1742, probably about the time of the death of Gray's uncle, Jonathan Rogers, who died there on the 21st of October.
An editor of the , a cheap periodical, sent word to Gray that he was about to print it, and naturally the author did not care to have a poem of this nature make its entrance into the world by so obscure a by-path.
Accordingly, so soon as the 16th of February, there appeared anonymously ''. 1751, by Dodsley, & went thro' four editions, in two months; and afterwards a fifth, 6th, 7th, & 8th, 9th, 10th, & 11th; printed also in 1753 with Mr. there is a 2d edition; & again by Dodsley in his ; translated into Latin by Chr. at the British Museum, and that which belonged to Mason, and now belongs to Sir William Fraser, Bart., who printed a transcript of it in 100 copies in January 1884.
The variations between the text here given and those of the first edition of 1751, and of the Pembroke MS., are not noted because both the latter are given verbatim in appendices. 157, we find: ''I am inclined to believe that the Elegy in a Country Church-yard was begun, if not concluded, at this time also'' (August, 1742).
But this is all the genuine evidence I have been able to discover. xi, we find: ''It is highly probable that the Elegy in a Country Church-yard was begun also about this time'' (August, 1742).
Later editors state positively that it was begun in 1742 (Mitford, Gosse, Bradshaw, Rolfe, etc.).
1751, by Dodsley, & went thro' four editions, in two months; and afterwards a fifth, 6th, 7th, & 8th, 9th, 10th, & 11th; printed also in 1753 with Mr. there is a 2d edition; & again by Dodsley in his 'Miscellany,' vol. Roberts, & published in 1762, & again in the same year by Rob. A.''It first appeared with Gray's name in the ''Six Poems'' of 1753.